Organised around a central fountain, the installation brings together metal floral structures, snake-like forms made from neckties, light, and water. Objects that previously existed separately are placed within one spatial composition, creating new relationships through proximity, movement, reflection, and sound.

The work develops recurring forms from the artist’s practice, including flowers, snakes, water, ornament, and transformation. Combined within one environment, these elements form a shared visual and material system in which each object remains distinct while contributing to the structure of the installation.